{"id":1366,"date":"2018-01-07T18:32:10","date_gmt":"2018-01-07T10:32:10","guid":{"rendered":"http:\/\/www.soyukwa.com\/?page_id=1366"},"modified":"2025-12-29T17:44:26","modified_gmt":"2025-12-29T09:44:26","slug":"theatre","status":"publish","type":"page","link":"https:\/\/www.soyukwa.com\/eng\/theatre\/","title":{"rendered":"Theatre"},"content":{"rendered":"
\"\"<\/figure>\n\n\n\n

Participated in:<\/p>\n\n\n\n

Year<\/strong><\/td>Programme Name<\/strong><\/td>Role<\/strong><\/td>Director<\/strong><\/td>Production<\/strong><\/td><\/tr>
2024<\/td>Prima Facie<\/td>Tessa<\/td>Poon Chan-leung<\/td>seeyousoon<\/td><\/tr>
2021<\/td>Road to Damascus<\/td>Woman<\/td>Fredric Mao<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
2020<\/td>See You Soon<\/td>- convener of play-reading theare -<\/td><\/td>Project Roundabout<\/td><\/tr>
2019<\/td>The Beauty Queen of Leenane<\/td>Maureen<\/td>Fong Chun-kit<\/td>Project Roundabout<\/td><\/tr>
<\/td>A Dream Like a Dream<\/td>Koo Hsiang-Lan<\/td>Stan Lai<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
2018<\/td>The Truth RERUN<\/td>Alice<\/td>Lee Chun-chow<\/td>Project Roundabout<\/td><\/tr>
2017<\/td>Our Town<\/td>Mrs Ngai<\/td>Cheung Chi-kok, May Fu<\/td>Sunbeam Chinese Club<\/td><\/tr>
<\/td>The Truth<\/td>Alice<\/td>Lee Chun-chow<\/td>Project Roundabout<\/td><\/tr>
<\/td>Forever Silence<\/td>Elis<\/td>Cheung Tat-ming<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
2016<\/td>Le Dieu Du Carnage (re-run)<\/td>Veronica<\/td>Olivia Yan, Fong Chun-kit<\/td>Dionysus Contemporary Theatre<\/td><\/tr>
2015<\/td>In the Womb<\/td>\u6751\u5b50<\/td>\u7530\u4e2d\u9ebb\u8863\u5b50<\/td>Yakusha Theatre<\/td><\/tr>
<\/td>The Amahs<\/td>Ah Lan<\/td>Roy Szeto<\/td>Hong Kong Arts Festival<\/td><\/tr>
2013<\/td>18\/F Block C<\/td>Wan-kuen \/ Ah Ying<\/td>Anthony Chan<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
<\/td>The Mad Phoenix<\/td>Meixian<\/td>Clifton Ko<\/td>Spring-time Stage<\/td><\/tr>
<\/td>I Have a Date with Spring<\/td>Fung-Ping<\/td>Clifton Ko<\/td>Spring-time Stage<\/td><\/tr>
2012<\/td>I Have a Date with Autumn<\/td>Fung-Ping<\/td>Roy Szeto<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
<\/td>Rabbit Hole<\/td>Becca<\/td>Fung Wai-hang<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
2011<\/td>An Ordinary Man<\/td>Qi \/ Guo Yao<\/td>Poon Chan-leung<\/td>Hong Kong Arts Festival<\/td><\/tr>
2008<\/td>The Shape of Things<\/td>Evelyn<\/td>Gabriel Lee<\/td>Hong Kong Arts Festival<\/td><\/tr>
2007<\/td>Kiss Me Goodbye<\/td>Ann<\/td>Cheung Tat-ming<\/td>Imperial Business Comm Ltd<\/td><\/tr>
2007<\/td>Secret Love in Peach Blossom Land (HK Version)<\/td>Yun Zhifan<\/td>Stan Lai<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
2006<\/td>Love in a Fallen City 06<\/td>Bai Liusu<\/td>Fredric Mao<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
2005<\/td>Love in a Fallen City 2005<\/td>Bai Liusu<\/td>Fredric Mao<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
2005<\/td>Superman Forever<\/td>Louisa<\/td>Roy Szeto, Wong Chi-lung<\/td>W Theatre<\/td><\/tr>
2003<\/td>A Serenade<\/td>Tang Xueqing<\/td>Ko Tin-lung<\/td>Super Talent Int'l Ltd<\/td><\/tr>
2002<\/td>Love in a Fallen City<\/td>Bai Liusu<\/td>Fredric Mao<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
2002<\/td>Between Life and Death<\/td>Woman<\/td>Tang Shu-wing<\/td>No Man's Land<\/td><\/tr>
2000<\/td>Noises Off<\/td>Brooke Ashton \/ Vicki<\/td>Chung King-fai<\/td>Spring-time Stage<\/td><\/tr>
1996<\/td>That's Entertainment<\/td>Pussy<\/td>Raymond To, Clifton Ko<\/td>Spring-time Stage<\/td><\/tr>
1995<\/td>I Have a Date with Spring (Re-run)<\/td>Fung-Ping<\/td>Ko Tin-lung<\/td>Spring-time Stage<\/td><\/tr>
1994<\/td>Amadeus<\/td>Constanze Mozart<\/td>Lau Siu-cheung, Tang Wai-kit<\/td>Hong Kong Federation of Drama Societies<\/td><\/tr>
1994<\/td>Major Barbara<\/td>Sarah Undershaft<\/td>Ying Ruocheng<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1993<\/td>M Butterfly (Re-run)<\/td>Renee \/ Woman at Party \/ Girl in Magazine<\/td>Chung King-fai<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1993<\/td>The Legend of the Mad Phoenix<\/td>Meixian<\/td>Ko Tin-lung<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1993<\/td>I Have a Date with Spring (Re-run)<\/td>Fung-Ping<\/td>Ko Tin-lung<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1993<\/td>King Lear<\/td>Soldier<\/td>Daniel Yang<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1993<\/td>Guan Hanqing<\/td>Er Niu<\/td>Chen Yong<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1993<\/td>The Trial<\/td>Leni<\/td>Ko Tin-lung<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1992<\/td>Nothing Scared<\/td>Fenichka Nikolaevna<\/td>Daniel Yang<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1992<\/td>\u6211\u548c\u6625\u5929\u6709\u500b\u7d04\u6703<\/td>Fung-Ping<\/td>Ko Tin-lung<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1992<\/td>Noises Off<\/td>Brooke Ashton<\/td>Chung King-fai<\/td>Hong Kong Federation of Drama Societies<\/td><\/tr>
1992<\/td>A Flea in Her Ear<\/td>Lucienne Homemides de Histangua<\/td>Chung King-fai<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1992<\/td>House of Blue Leaves<\/td>Little Nun<\/td>Daniel Yang<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1992<\/td>M Butterfly<\/td>Renee \/ Woman at Party \/ Girl in Magazine<\/td>Chung King-fai<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1991<\/td>One of the Lucky Ones (Re-run)<\/td>Lucy's sister<\/td>Ko Tin-lung<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1991<\/td>Fou Lei and Fou Tsong<\/td>Red Guard<\/td>Daniel Yang<\/td>Hong Kong Repertory Theatre<\/td><\/tr>
1991<\/td>The Government Inspector<\/td>Mrs Locksmith \/ Guest<\/td>Ko Tin-lung<\/td>Hong Kong Repertory Theatre<\/td><\/tr><\/tbody><\/table><\/figure>","protected":false},"excerpt":{"rendered":"

\u4f5c\u54c1\u5305\u62ec: \u5e74\u4efd \u5287\u76ee \u89d2\u8272 \u5c0e\u6f14 \u88fd\u4f5c 2024 \u300a\u5b8c\u7f8e\u8b49\u4f9b\u300b Tessa \u6f58\u71e6\u826f seeyousoon 2 … <\/p>\n

Read more “\u821e\u53f0\u5287”<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","inspiro_hide_title":false,"footnotes":""},"class_list":["post-1366","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.soyukwa.com\/eng\/wp-json\/wp\/v2\/pages\/1366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.soyukwa.com\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.soyukwa.com\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.soyukwa.com\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.soyukwa.com\/eng\/wp-json\/wp\/v2\/comments?post=1366"}],"version-history":[{"count":5,"href":"https:\/\/www.soyukwa.com\/eng\/wp-json\/wp\/v2\/pages\/1366\/revisions"}],"predecessor-version":[{"id":3407,"href":"https:\/\/www.soyukwa.com\/eng\/wp-json\/wp\/v2\/pages\/1366\/revisions\/3407"}],"wp:attachment":[{"href":"https:\/\/www.soyukwa.com\/eng\/wp-json\/wp\/v2\/media?parent=1366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}